In ‘27 Songs’ Howard attempts a group sing-a-long while navigating the 360° journey around London’s Circle Line tube network. 27 of the most popular British tunes were performed between each of the 27 stations of this particular tube line.
Audience participation, group-song and performance anxiety are reoccurring motifs in much of her recent work. Howard’s public interventions explore notions of social anxiety through proximity and the unexpected.